We’ll Just Split the Royalties

Photo by Pond5

One of the Facebook publishing groups I belong to seems to attract a large number of first-time authors as well as prospective authors. We all have to start somewhere, and I try to help out whenever I can.

The posts typically come from people who are even more clueless than I was when I was getting started, and trust me, I was pretty darn clueless. (I’d written a historic cookbook called, Anna’s Kitchen,  and I thought I knew it all. Let’s just say I’ve come a long way since then.) That said, I’m sometimes flabbergasted at some of the things people are posting, such as the prospective author who couldn’t afford to pay her illustrator, so she wanted to know if it would be okay to split the book royalties 50/50 instead?

Umm…no!

There are many myths out there about writing and publishing books. One of the biggest, and most persistent, is that authors make big bucks from their book sales. There are some who do, but they’re the exception. In reality, most authors have to have day jobs if they want to pay their bills. Their book royalties are, at best, income supplements.

There are also out-of-pocket expenses involved when it comes to writing and publishing books, such as editing, proofreading, and cover design. Laptops and tablets cost money. Pens and paper cast money too. I understand that money may be an issue for some, and if it’s an issue for you then you may be tempted to do it all yourself. My advice, however, is don’t. Very few people have the skillset to do it all, which means you will have to hire people to do certain tasks.

As noted, it’s easy for someone who has never written a book before to assume their book will make a profit. They may think it’s perfectly okay to offer to share a portion of their future profits, or royalties, in lieu of paying for the work. It isn’t. The people proofreading your manuscript and designing your book cover have bills to pay. Asking them to work on spec is, at best, unprofessional.

What about asking your spouse, or your best friend, or your great-aunt Mary? Again, I don’t recommend it. Family and friends usually aren’t qualified to do the task, but if you need an editor, and your great-aunt Mary just happens to be a retired English teacher, then maybe you could ask her. Keep in mind, however, that she may say no, or she may expect favors from you in return.

The fact of of matter is that you have to pay your people for services rendered. If you can’t afford to pay them, then I’m sorry to say you can’t afford publish your book. At least for now.

Gayle Martin

 

From the Writer’s Desk is written, edited, and maintained by a real human being. It does not include content generated by AI (Artificial Intelligence) software of any kind.

No part of this blog may be used or reproduced or transmitted in any form, or used in any matter by AI, without the express written consent Good Oak Press, LLC. Requests for permission must be addressed to Good Oak Press, LLC, P.O. Box 51244, Denton, TX 76206-1244

 

 

 

Why I No Longer Use Ingram Spark

© Can Stock Photo/ araraadt

Once upon a time, there were two book distributing services in the United States. Ingram, and Baker & Taylor. Baker & Taylor distributes to schools and libraries. Ingram distributes to book sellers.

Then the book publishing industry began changing in the early 21st century. Personal computers were becoming more sophisticated and more affordable. At the same time, new software was allowing people to publish from home. It even had a name. Desktop publishing.

So along came Lightning Source

Ingram created subsidiary called Lightning Source. I’m not exactly sure when this came about. However, I first heard of Lightning Source in 2003, after I wrote my first Luke and Jenny novel. My original publisher used Lightning Source for their distribution.

I began working with Lightning Source directly in 2011, when I created my own publishing company, Good Oak Press, LLC. At the time, they were a fantastic company to work with. They were there to help you succeed. If you had any question or concerns, or if you just needed a little help uploading a file, they were only a phone call away.

Then came Ingram Spark

A new subsidiary, Ingram Spark, came along a few years later. It worked with independent, or self-published authors, so I migrated to the new site. Same company, same great customer service. I had a long and happy business relationship with both subsidiaries for over a decade

Unfortunately, times have changed, and I’m afraid it hasn’t been for the better. It all started when I was having some serious log in issues with my account. No matter what I did, nothing would fix it. It’s a rather long, complicated story, so I’ll sum it up by saying that after much frustration and many emails back and forth, I was told the problem was fixed. Only it wasn’t fixed. The issue still persisted.

Why I Left Ingram Spark

All I can tell you is Ingram Spark is longer the helpful company I signed on with back in 2011. They have discontinued telephone support. Tech support is only available by email only. Unfortunately, the more complicated the issue, the more difficult it is to resolve it by email alone.

The initial response to the emails I sent always asked me for information I had already included in the original email, along with a screenshot. Each response came from a different sender, who had obviously never bothered to read the prior responses. So each time I’m having to describe the issue all over again, and sending them yet another screenshot. Needless to say, this only made matters worse. As a result, the issue was never resolved. Sometimes you need to communicate in person, but I no longer have that option. There came a point when it finally became a deal breaker, and I gave up on Ingram.  Thankfully, there are now some alternatives.

I recently learned that one of my author friends has never used Ingram Spark. This came as a big surprise. He’s been writing books longer than I have, and he has built himself a good following. He distributes his books through Amazon’s KDP Publishing, Draft2Digital, and SmashWords. So, I’m now changing course. I will no longer be distributing my books through Ingram Spark.

Kindle Direct Publishing

As we all know, the Amazon Kindle has been a game changer. I started publishing my ebook editions directly with Amazon shortly after the Kindle came on the market. The platform easy to use, and I could upload my files for free. However, I had never published a print edition with KDP Direct. That all changed with my latest Marina Martindale contemporary romance novel, Aquamarine. When I uploaded the print edition to KDP Direct I found it was almost as easy as uploading an eBook.

I admit I was a little concerned about the printing quality, but after receiving my first author’s copies, I can find no difference between KDP and Ingram. Both companies produce good quality print books. The only difference is that Amazon does not charge you a fee to upload your files. You upload them for free. So why spend money when you don’t have to?

Amazon also has outstanding customer service. You can contact them by phone, email or chat. I’ve found their phone support to be friendly and helpful. No long waits on hold either. You enter your phone number, and they will call you back. They will also work with you until the problem is fixed.

Other Book Distributors

I’ve started distributing my eBook editions through Draft2Digital. They offer virtually the same eBook distribution as Ingram Spark. My eBook editions are now available for the Barnes& Noble Nook, Sony and Kobo eReaders, Apple Books, and others. There is no fee to upload your files, and their customer support is available by phone or email. Draft2Digital is also merging with SmashWords, and I will soon be distributing my print editions with them as well.

Ingram Spark is by far the winner when it comes to convenience. Those who don’t want the hassle of having to upload their files to multiple accounts may think the forty dollar upload fee worth it. To each their own. Unfortunately, because of all the grief they have caused me, I’ve decided they simply aren’t worth headache, and I’d rather keep the forty dollars in my own pocket. I can only hope, for their sake, that they will take whatever steps are necessary to improve their customer service. They lost a loyal, long-term  customer when they lost me, and somehow I doubt I’m the only one. All I can say is I won’t be coming back.

Gayle Martin

UPDATE: Smashwords and Draft2Digital have merged. If you are using D2D they will now publish your books on Smashwords.

 

Rejection Letters Are No Badge of Honor

© Can Stock Photo / stuartmiles

I enjoy talking with prospective authors. However, when a first-time author brags about all the rejection letters they’ve received, it gives me pause for thought. While they’re busy collecting rejection letters, their manuscripts sit around collecting dust. Months, even years may go by without them ever being read.

Don’t be a naive newbie

As stated in my article, The Author Myth, six-figure advances, and becoming famous, is more myth than fact. The is especially true for first time authors. About the only exception is if you already happen to be a famous a celebrity. Then the publisher will not only publish you, they’ll hire a ghostwriter to write your book for you. However, if you’re an unknown, you’re out of luck. The odds of a major publishing house buying your manuscript, and you becoming rich and famous, are about as good as going to Hollywood with no prior acting experience, walking into a motion picture studio, and landing a starring role in a feature film. In other words, it’s not happening. 

This is why I never bothered playing the rejection letter game. Life is simply too short for this kind of nonsense. I’ve also heard similar stories about trying to find an agent. While I’m sure there are plenty of good literary agents out there, far too many are full of more you-know-what than the Thanksgiving turkey. I hear the same story, over and over again. “I emailed a query to an agent. They got back with me right away and wanted to see my manuscript, but it’s been ages, and I haven’t heard from them since. So when will they get back with me?”

Um…they’re not.

As I mentioned before, I have better things to do than waste my time playing games because I want to get my books in reader’s hands. So, when I first started out in the writing business, I began with partnership publishing.

What is partnership publishing?

Partnership publishing is when you take control and pay someone to publish your book. You may think it’s vanity publishing, but it’s actually not. It’s a business decision. It means you believe in your work enough that you’re willing to invest your own money into it. Most importantly, you retain the rights to your work instead of selling them to a publisher. With partnership publishing, the publisher does the formatting, cover design, printing and distribution, much like a traditional publisher. However, your book is usually published in weeks instead of years, and a publishing partner won’t drop you if your book fails to meet their expectations.

Please be aware that there are good and bad partnership publishing companies out there, so it’s best to do your homework first. Writer Beware is an excellent resource for finding out whose business practices are questionable. You’ll also want shop around for the best price and be sure to ask about distribution. If they’re not distributing through Ingram or Baker & Taylor, or both, you may have trouble getting your book into bookstores or libraries.

What about self publishing?

Self publishing is certainly a viable option. However, there is a lot of work involved. You, the author are responsible everything. Writing, editing, proofreading, cover design, the ISBN number, publishing, ebook formatting, distribution and marketing. If you know someone who knows the business and is willing to mentor you, great. Otherwise you really need to do your homework. I self published my very first book. I’d never done anything like it before, so let’s just say it was a very humbling experience. I used a partnership partner for my next book, and it was money well spent. Working with her taught me the business. Later on, when I was ready, I created my own publishing company, Good Oak Press, LLC.

 

And finally

A reputable partnership publisher probably won’t accept a poorly written book, so make sure you’re using proper grammar and punctuation, and that your story is well told. You’ll also need to have your book professionally edited.

So, it’s up to you. Do you spend the next few years collecting rejection letters? Or do you want to take control of your destiny and get your book into the hands of readers? The choice is yours.

Gayle Martin

The Three Options for Book Publishing

© Can Stock Photo/ Baloncici

So you’re a new author and you’ve just completed your first manuscript. Congratulations. This is a big accomplishment. However, it’s only the first step for getting your work in reader’s hands. Your next task, if you haven’t done so already, is to determine how you want to publish your book. You have three options; traditional publishing, partnership publishing, or self publishing. Each has their advantages and disadvantages.

traditional publishing

Let’s begin with the option most people are familiar with, traditional publishing. Some of the most well known traditional publishers in the United States include Simon & Schuster, HarperCollins and Penguin Random House. No doubt you’ve heard of them as they’re part of a group known as The Big Five. This certainly is the big leagues, so you may be thinking, “Yeah, I’d love to have them publish my book. I’ll send them a copy of my manuscript and wait for them to call me.”

If only it were that simple. In reality, getting onboard with one of the Big Five publishers is about as easy as going to Hollywood, walking into a major motion picture studio and telling them that because you were the star of your high school play, you’re now ready to become a movie star, and would they please sign you up. Signing on with a major publisher, especially when you’ve never been published before, is a long, complicated and daunting process filled with rejection. Even if you have a good literary agent and a well written manuscript, there is no guarantee they will accept your work, and even if they do, they will drop you if your book sales don’t meet their expectations.

Partnership Publishing

This can be a viable alternative as partnership publishers provide many of the same services as a traditional publisher. They produce, format and distribute your book, and they pay you a royalty. However, unlike a traditional publisher, they don’t buy the rights to your book. You keep the rights, and you pay them for their services.

There is, however, a huge difference between partnership publishing and vanity publishing. A vanity publisher will produce your book, usually for a hefty fee. However, they don’t distribute your book, and your printed books are often poor quality. A partnership publishing company on the other hand will distribute your book, typically through Ingram. It’s up to you, however, to do the research and find out if the company is indeed a legitimate partnership publishing company. Most importantly, before signing any contract, ask if they distribute through Ingram. If the answer is no, walk away.

For the record, I started out with a very reputable partnership publishing company, and my books did quite well. Yes, I had to pay them for their services. In return, they took care of the cover design, printing, and distribution. Like a traditional publisher, they paid also royalties, but unlike a traditional publisher, I retained the rights to my book.  Most importantly, if for any reason I wasn’t satisfied with their work, I could cancel at any time.

Self publishing

Self publishing has lost much of the stigma it once had, and, on rare occasions, a traditional publisher will pick up a self published author.

The big advantage to self publishing is that the author has complete control over all aspects of the publishing process. This includes editing, proofing, typesetting and ebook formatting, printing and distribution. In other words, it’s a lot of work. Amazon has made this process somewhat easier with their in house self publishing tools. Even so, editing and proofing are still the author’s responsibility.

I was lucky. I was a graphic designer for many years before I became an author. In 2011 my partnership publisher decided to change her business model and specialize in children’s books, while I had switched genres and started writing contemporary romance. She was, however, a mentor as well as a publisher, and I learned a lot about the publishing business from her. We both agreed that I was ready to start up my own publishing company. For me, it was the perfect choice. With my graphic design background, I’m able to format and design my own books. My company is an LLC, registered in the state of Arizona, so I was able to distribute through Ingram. However, after I started up my own company, Ingram created a division called Ingram Spark, which caters to self publishing authors. That said, I still recommend setting up an LLC if you’re serious about self publishing. Not only will you come across as more professional, an LLC can help protect your personal assets if you should ever experience an unexpected legal challenge.

Marketing Your book

Please note that regardless of which option you choose, book distribution is the publisher’s responsibility. Marketing your book your responsibility, even if you’re a traditionally published author. Book marketing can be daunting, but there are resources out there to help you. Again, it’s up to you to find those resources and use them.

Good luck with your book. If you would like to see my company website please click on the link below. I’ve included it as an illustration of what you can accomplish if you’re willing to invest the time and effort. Please note, however, that I am unable provide publishing services for other authors.

Gayle Martin

Good Oak Press, LLC

Think You Don’t Need an Editor? Part One

© Can Stock Photo/novelo

“I don’t need an editor because I do my own editing.”

I often hear this comment from first time authors. It’s the voice of inexperience or an over inflated ego. Sometimes both. It also has a familiar ring to it, as I resemble this remark myself.

My very first book was a historic cookbook titled, Anna’s Kitchen. At the time I wrote it I too thought I didn’t need an editor. In fact, I was such a smart aleck that I thought I knew everything. Never mind the fact that I had never written a book in my entire life. As far as I was concerned, the spell checker in my word processing software was all I needed. So how did I do?  Well, you may want to refer to my post titled, Just Add Two Tablespoons of Fate. Sure, I can laugh about it now, but it’s a splendid example of why all authors, especially new authors, must have an editor.

Why every author needs an editor

An editor is a fresh pair of eyes to go over your manuscript. They give it the added polish it needs to turn it into a great book. They’re not as much concerned about the content of your work as they are the structure. They look for things such as misspelled words, typos, and comma spliced sentences. They also look for dangling participles, incorrect homonyms, redundancy, and the dreaded passive voice. If you write fiction, they’ll look for inconsistencies in your story and character arcs. In other words, they fix all the gaffes that you, as a writer, may have overlooked. The reason why you’re not seeing them is because you’re too involved with your own work to see it objectively. This is normal. As human beings, we can’t be objective about ourselves. This is why it’s difficult for us to see our mistakes. It’s the same reason why doctors don’t treat themselves or members of their own families.

Some of you reading this may still be skeptical, or you may even think your writing skills are so superior that you simply don’t need an editor. If this is the case, then you’ll soon find out for yourselves that writing is a very humbling experience. There is nothing quite like having your readers point out all your errors for you, and then posting them in an Amazon review for the entire world to see. Once that happens, your credibility as an author is pretty much done, and you can kiss your writing career goodbye.

What do Danielle Steel, James Patterson, Mary Higgins Clark, Stephen King, J.K. Rowling, and Dean Koontz all have in common? They all have editors. So if these famous authors all have editors, then what makes you think that you don’t need one? Just asking.

Gayle Martin

Please be sure to check out part two of this three part series, Think You Don’t Need an Editor Part Two.

Just Add Two Tablespoons of Fate

Cover Design by Good Oak Press, LLC

My very first book was a historic cookbook called Anna’s Kitchen. I produced  it entirely on my own. I did my own writing and editing. I did my own proofreading. I did my own typesetting and cover design. (Okay, I had an advantage there. I was a professional graphic designer before I became an author.) I’ll admit that in hindsight, it was an incredible learning experience as I soon realized just how much hard work goes into producing a book. I also learned why teamwork is so necessary.

Lessons learned the hard way

Being a newbie, I used my spell checker as my editor and proofreader. At the time I honestly believed it was all I needed. Later on, realized I had made big mistake. It’s how I learned, the hard way, why every author must have an editor.

Before my book went to print I went over my manuscript many times. Everything looked fine, at least to me. However, once the book was printed, I found all kinds of errors. Murphy’s Law really is a thing. All those errors were well hidden, until the book was printed. Then they jumped off the page as it to shout, “Ha ha! You missed us! You missed us!”

As fate would have it

One of my friends came across something in a gravy recipe he found particularly amusing. It said, Add two tablespoons of fate. He laughed and laughed. Then he asked me if it meant that we were supposed to pray over the gravy as it was being prepared. Now mind you, it’s not a bad idea. I pray over the little everyday things much more than the big things. In this case, however, it was a typo the spell checker had missed. The word, fate, was spelled correctly, but what it should have read was, add two tablespoons of fat. 

This is why every author needs an editor and a proofreader. We simply cannot be objective when it comes to critiquing our own work. Perhaps someday someone will invent an AI book editor, but even then, a machine cannot make a judgement call like a real person can.

Suffice to say that you need a couple tablespoons of fat if you’re making gravy. However, when it comes to writing and publishing a book, you may need to add two tablespoons of fate, along with a good editor and proofreader. Just saying.

Gayle Martin