Consistent Book Cover Design

Whether you write fiction or nonfiction, building your own unique brand as an author is essential. For those of us who’ve written more than one book, this includes having consistent covers. After all, what’s the first thing a potential reader sees? Your book cover.

Five Star Publications, Inc., published Gunfight at the O.K. Corral: Luke and Jenny Visit Tombstone, the first title of my Luke and Jenny series of historical novels for young readers, back in 2006. As publisher, Five Star took care of the cover design. The illustrator and cover designer created a beautiful book cover, and I was quite pleased with it.

Unfortunately, when the time came to publish my second book, Billy the Kid and the Lincoln County War: a Luke and Jenny Adventure I found out that the person who designed and illustrated the Gunfight at the O.K. Corral cover was no longer available. Thankfully, we were able to find another illustrator with a similar drawing style. However, no two artists are exactly the same. I loved the Billy the Kid cover illustration, but it didn’t match the O.K. Corral illustration closely enough to make the two books look related. I now had to make a decision. I could either have a book series with one cover which looked like it didn’t belong, or I could have the original Luke and Jenny book cover redone with a new artwork from the new illustrator. I opted for the latter. It really was my only option.

My covers were now consistent, which, in turn, made it that much easier to build my brand.

A few years later I published updated editions of the Luke and Jenny series, this time with my own publishing company, Good Oak Press, LLC. I could have redesigned the covers with new illustrations, but opted not to. My brand had been well established by then, and other than new ISBN numbers, and some minor copy editing, the books were essentially the same as the Five Star editions. The only change I made was to add the brown borders to distinguish them from the earlier Five Star series.

After completing my Luke and Jenny series I changed genres and started writing fiction for adult readers. This meant starting all over from scratch and building an entirely new brand, including creating a pen name, Marina Martindale, but the same rules for my covers applied. While I now write stand alone novels, I still work with Wes Lowe, who did the Luke and Jenny cover illustrations, and I still have consistency in the cover designs. It’s all about building your brand.

Gayle Martin

 

 

Stock Photos and Book Cover Design

Cover photo by Rob Resetar

I often see discussions from first timer authors in online forums or Facebook groups talking about book cover design. Some post about how easy and convenient it was to use stock photos for their book covers. Others think royalty free means copyright free. Some even think they can just Google the type of photo they’re looking for and download it for free.

The problem with royalty free stock photos

Stock photos are easy to find and relatively cheap. I frequently use them on my blogs because I don’t always have the time to go out and shoot my own photos. However, royalty free doesn’t mean the photo is free. You pay a one time licencing fee, and the fee may vary, depending on how the photo will be used.

The problem with stock photos is that you don’t buy exclusive rights. Other people can and do use the same photo you’re using, and this could include other authors using the same photo for their book covers. Imagine going to a book festival and seeing another author signing a book with the same cover photo you’re using. Yikes!

If it’s on the Internet it doesn’t mean it’s public domain.

There are people out there who honestly believe that publishing a photo online automatically makes it public domain. Therefore, they can download it for free and use it as they wish. WRONG! While I’m not an attorney, nor am I giving legal advice, it’s common knowledge that the rights to the photo belong to the person who took the photo. Therefore, if you use someone else’s photo without their permission, you could, potentially, find yourself in serious trouble. And who needs that kind of the grief? So, when in doubt, find out who the photographer is, and get their permission to use the photo.

My best advice would be to take the photo yourself if you possibly can. However, if you don’t have the skills to do so, or if the photo needs to be taken at a distant location, consider hiring a photographer to shoot the photo for you. If budget is an issue then ask around. Many of us have friends or family members who are into photography and who would be honored if you were use one of their photos for your book cover. Most colleges and universities offer photography classes, and students will oftentimes jump at the chance to do a paying assignment. Use a stock photo only as a last resort.

And one final note. Whether you are using a friend’s photo, or hire a professional photographer, be sure to have the photographer sign a release form granting you permission to use their photo, even if they’re letting you use their photo for free. Stuff happens, and you can find release form templates online.

The book cover I’ve included is one I designed for another author. I’m a photographer as well as an author, but none of the photos in my library were what I was looking for, so I asked a photographer friend. He had the perfect photo in his library.

Gayle Martin

 

Should I Enter a Book Competition?

From time to time my inbox fills up with calls to entry for various book awards. I always have mixed feelings about entering. While winning an award is certainly a good thing, there is also a downside.

PROs

I’ve entered competitions in the past and some of my books, such as Billy the Kid and the Lincoln County War,  have won awards. I’m not going to lie to you. There’s nothing quite like the euphoria of knowing that your book beat out dozens, if not hundreds, of other entries. Awards are also a nice marking tool. There’s nothing quite like having that award sticker proudly displayed on your book cover. In fact, I’ve included one of mine. Not to brag, but to point out the downside to winning a book award.

CONS

I won the award in 2007. By 2010 my book looked dated. 

The other big drawback is the cost. The last time I tried to enter a book competition the early bird entry fee was $90. They also wanted four printed copies of the book. By the time I added in the cost of the books, and my best guestimate for the postage, I realized I’d be spending at least $120, if not more. Just to enter one title, in one category. If I wanted to enter a second category the cost would double. Competitions aren’t without risk. There is no guarantee your book will win. As I thought it over I realized I’d be better off spending that $120 dollars on advertising my book. 

So, is entering a book award competition a good idea? You’ll have to decide for yourself. If you have the inclination, and the budget, then go for it. Who knows? Your book could be a winner. However, if you don’t have the money, or if you feel unsure, then don’t. While it’s nice to win an award, it’s no guarantee that you’ll sell more books. 

Gayle Martin