So You Think You Don’t Need an Editor–Part Two

© Can Stock Photo/ swellphotography

In my previous article, So You Think You Don’t Need an Editor–Part One, I described what an editor does, and how he or she goes over your manuscript to give it the polish it needs to become a successful book. In this article, I’ll be discussing who you should hire to edit your manuscript.

I understand money is an issue for many of you. However, unless you’re one of the very few lucky writers who lands a deal with a traditional publisher, you’ll undoubtedly be investing your own money into producing your book. A professional editor will typically charge one to two cents per word. This means an 80,000 word manuscript may cost about $800 to $1600 to edit.

Why working with a professional editor matters

I know. It’s a lot of money, and many of you are working with small budgets. Therefore, you may be tempted to take some shortcuts. My advice? Don’t do it! Asking your friends, your cousin, your spouse or your mom to edit your manuscript may seem like a good alternative. However, they would have to have experience in journalism, teaching English, or other professional writing experience in order to be qualified for the job.

Now, let’s say you have a friend or family member with one or more of these qualifications. Does this mean you can ask them to edit your manuscript?  Well, maybe. However, you need to be aware of another caveat. As I stated in my earlier article, your editor needs to be objective. Your mom may be a retired English teacher, but can she really be objective? If your mom is anything like my mother was, she may be overly critical. If so, can you handle it? After all, it’s one thing if a stranger is overly critical of your work. You won’t be spending Thanksgiving with him or her, and if you feel your working relationship is too toxic you can replace them with another editor. But if your mom is also your editor, it can get really awkward. Ultimately you’ll have to decide for yourself if working with a friend or family member would be a good option or not.

Where to  find a professional editor

I found my first editor through the small press publisher I was working with at the time. She was an absolute joy to work with, but then she decided to change careers. I found my next, and current editor, through a local writers association we both happened to belong to at the time. If you know any other authors you can ask them for a referral. Online author’s forums are another good place. Simply post the question.

And finally

Just as authors specialize in writing nonfiction or fiction, editors will also specialize in what kinds of manuscripts they edit. So if your manuscript is science fiction or fantasy, be sure to find an editor who has experience in editing science fiction and fantasy.

Writing a successful book takes time and money. If you want your book to have four and five star reader reviews, then you’ll need hire a professional book editor. Nothing will end your writing career faster than a poorly-edited book with bad reviews.

Gayle Martin

Good vs Bad Villains

 
© Can Stock Photo / hjalmeida

Writing fiction is a lot of fun, and I have the best job in the world. I get to play a grown-up version of Let’s Pretend, and make money doing it. This includes creating a bunch of imaginary friends, otherwise known as characters. Some are good. They’re the protagonists. Others not so much. They’re the antagonists.

Fiction plot lines, regardless of genre, are conflict driven, and the antagonist creates the conflict. He is she is there to block whatever goal the protagonist is trying to achieve. Oftentimes antagonists are also villains. The more devious the villain, the more drama and intensity to the story.

Real life, however, isn’t always so black and white. People can and do make poor choices, and some learn from their mistakes. In fiction, they would be redeemable characters. Hal, an antagonist in my Marina Martindale novel, The Journey, isn’t malicious at all. He simply wants something he can’t have, and he’s standing in the way.  Josh, in The Letter, is a con artist. He’s working a Ponzi scheme with two unseen characters. However, as the character took shape I noticed he had some redeeming qualities. This made him likable, so I made him into a redeemable villain who does the right thing in the end.

Most of my villains, however, are unrepentant. Some, like Maggie in The Deception, remain defiant to the very end. Most however, are like Craig in The Stalker. They become their own undoing, and for them it never ends well. They’re unredeemable characters, and readers expect them to have their comeuppance. After all, karma is a bitch. Not only in fiction, but in real life as well.


Gayle Martin

Book Signing Etiquette

Whether it’s a bookstore, a book fair, or other special event, book signings can be a lot of fun. They’re a great way to engage one-on-one with potential readers and network with other authors. However, we authors sometimes let our enthusiasm get the best of us. 

Treat other authors with respect

The worst experience I ever had at a book signing was during a big event weekend in Tombstone, Arizona. The local bookstore had invited so many authors to come and sign their books that they ran out of space inside the store. So, they seated me, along with one other author, on the boardwalk in front of the store. Strategically, we had a great advantage. There was a lot more foot traffic outside the store, and we were right next to the door. Customers had to walk past us before they went inside. I should have had one of the best weekends ever. Unfortunately, it didn’t happen. The other author completely sabotaged it. 

He was a nonstop talker who talked and talked and talked about anything and everything. Yak, yak, yak, yak, yak. He wouldn’t shut up. Not even while I was talking to potential readers, or trying to close a sale. And yes, he actually killed some of my sales.

As if this weren’t bad enough, he started babbling about a controversial book he planned to write about his religious beliefs. So while I’m trying to talk to my customers, he’s now quoting Biblical scripture, chapter and verse, in a very loud voice. Not only were people no longer stopping at my table, they were literally running away.

I strongly believe in religious freedom. However, this was not the venue for a religious debate. I normally did well at Tombstone events. This time, however, I had a disaster. I hardly sold any books, all because of one very self-centered author who couldn’t keep his stupid mouth shut.

A book signing is not a place to socialize

A book signing is where authors come to connect one on one with their readers. If there are other authors at the same venue, as there often are, please show some respect and a little common courtesy. Keep your conversations with other authors brief, and try to limit those conversations to those times when there are no customers around. Most importantly, keep your mouth shut while other authors are talking to potential buyers. Nothing says rank ametuer more than interfering with another author’s sale.

Gayle Martin

Let’s Just Say No to Sensitivity Readers

and Other Forms of Censorship

© Can Stock Photo / alexandrum

I’ve been hearing a lot lately about a disturbing new trend, particularly in traditional publishing. The use of so-called, “sensitivity readers” to censor the author’s work. Their job is to ferret out any so-called trigger words from the authors’ manuscripts.

Here in the United States, our constitution guarantees our right to freedom of speech and freedom of expression. This would include artistic expression. Our constitution was never intended to protect anyone from being offended. In fact, it’s opposite. It insures our freedom to debate opposing points of view.

What is and isn’t offensive is oftentimes subjective. Let’s say, for example, that I write a scene in my book where two of my characters enjoy a burger together. If a vegan reads this, he or she might be offended. A chef, however, can read the very same scene and be inspired to create a gourmet burger for two.

I’m a woman who writes romance novels. Therefore, I include male characters in my books. I also write in the third person narrative. This means some of my chapters will be written from a male character’s point of view, even though I’ve never been a man. I’m not trying to make a political statement. I’m simply trying to tell a good story. However, to the so-called, “sensitivity expert,” I could be “stereotyping” men. And because I’m allegedly stereotyping men, I’m no longer allowed to write anything from a male point of view. This tramples on my right to freely express myself as an artist

Sensitivity is the new, politically correct word for CENSORSHIP. As a writer and and artist, censorship goes against everything I believe in. Well guess what? I’m a U.S. citizen, and I have a Constitutional right to freedom of speech and freedom of expression. Therefore, I will continue to write the stories I wish to write, and if the sensitivity thought police don’t like it then they can go straight to Hell. 

Gayle Martin