So You Think You Don’t Need an Editor–Part Two

© Can Stock Photo / swellphotography

In my previous article, So You Think You Don’t Need an Editor–Part One, I talked about how your editor is a fresh pair of eyes to go over your manuscript and give it the polish it needs to become a successful book.

I understand that money is an issue for many of you. But unless you’re one of the very few lucky writers who lands a deal with a traditional publisher, you’ll probably have to invest your own money into producing your book. Typically, a good editor will charge one to two cents per word. So, for an 80,000 to 100,000 word manuscript, you could be spending $800 to $2000.

I know that’s a lot of money. So you may be tempted to take some shortcuts. My advice? Don’t do it! Asking your friends, your cousin, your spouse or your mom to do your editing may seem like a good alternative. However, if they don’t have experience in journalism, teaching English, or any other professional writing experience, they’re not qualified for the job. You would never your best friend to work on your car if he or she had no experience in auto repair. So why would you ask someone who isn’t qualified to edit your manuscript?

Nowadays anyone with a smartphone can write a manuscript and upload it to Amazon Kindle. The market has been flooded with poorly written books. So do you want four and five star reviews? If so, then you need a  professional book editor. Because nothing will end your writing career faster than a poorly-written book with bad reviews.

GM

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Redeemable vs Non-redeemable Villains

© Can Stock Photo / hjalmeida

I enjoy streaming a syndicated radio talk show called, Ground Zero with Clyde Lewis. The show has interesting, offbeat topics. Listening helps me unwind at the end of a busy workday. The other night Clyde talked about the latest Godzilla movie. He described how the title character has evolved from an evil beast to a defender of the planet. That’s quite a leap indeed, and it was a fascinating discussion.

(To hear a podcast please click on the link above.) 

While I don’t write science fiction or horror myself, those genres do allow more leeway for using symbolism for political undertones. This may be the case with Godzilla. However, there are certain unwritten rules that fiction authors must follow because it’s what readers expect. High on the list is that good always triumphs over evil.

Fiction plotlines, regardless of genre, are conflict driven. The antagonist creates the conflict when he or she interferes with the protagonist. The antagonist is there to block whatever goal the protagonist is trying to achieve. This is why most antagonists are villains. And the more devious and evil the villain, the more drama and intensity to the story.

In real life, however, people can and do make poor choices. Some learn from their mistakes. In fiction, they would be redeemable characters. For example, Josh, from my most recent Marina Martindale novel, The Letter, is a con artist. He’s working a Ponzi scheme with two unseen characters. However, as the character took shape I noticed he had some redeeming qualities. So, I did a rewrite and made him into a redeemable villain. I don’t want to spoil the plot, so I’ll sum it up and say that things aren’t always as they appear.

Most of my villians, however, are unrepentant. Some, like Maggie in The Deception, remain defiant, even while they’re carted off to prison. Most however, are their own undoing. They police shoot them, or they’re killed in accidents while trying to escape. They’re the unredeemable villains. The Godzillas, who have to have their comeuppance, otherwise readers won’t accept it. After all, karma’s a bitch. Not only in fiction, but in real life as well.


GM

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Book Signing Etiquette

Whether it’s a bookstore, a book fair, or other special event, book signings can be a lot of fun. They’re a great way to engage one-on-one with potential readers. However, we authors sometimes let our enthusiasm get the best of us. So please, consider this reminder to treat fellow authors respectfully.

The worst experience I ever had at a book signing was during a big event weekend in Tombstone, Arizona. The local bookstore had so many authors that they ran out of space inside the store. So, they seated me, along with another author, on the boardwalk in front of the store. This should have been a strategic advantage, as there was more foot traffic outside the store. Unfortunately, the other author was a non-stop talker

He talked and talked and talked about anything and everything. Yak, yak, yak, yak, yak. He wouldn’t shut up. Not even while I was trying to talk to potential readers, or trying to close a sale. And yes, his incessant talking actually killed some of my sales.

As if this weren’t bad enough, he started babbling about a controversial book he planned to write about his religious beliefs. So, not only was I stuck with him yapping my ear off while I was trying to talk to my customers, he’s now quoting Biblical scripture, chapter and verse, in a very loud voice. Not only were people no longer stopping at my table, they were literally running away.

I strongly believe in religious freedom. However, there is a time and place for religious debate. And it’s not on a sidewalk, in front of a secular bookstore, at a secular event. I normally do well at Tombstone events. This time, however I had a disaster. I hardly sold any books, all because one very self-centered author couldn’t keep his stupid mouth shut.

A book signing is where authors come to connect one on one with their readers. If there are other authors at the same venue, please show some respect and a little common courtesy. Keep your conversations with other authors brief. Try to limit those conversations to those times when there are no customers around. Most importantly, keep your mouth shut while other authors are talking to potential buyers. Nothing is more unprofessional than interfering with another author’s sale.

GM 

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Let’s Just Say No to Sensitivity Readers

and Other Forms of Censorship

© Can Stock Photo / alexandrum

I’ve been hearing a lot lately about a disturbing new trend. Particularly in traditional publishing. The use of so-called, sensitivity readers to censor the author’s work. Their job is to ferret out any so-called trigger words from the authors’ manuscripts.

Here in the United States, our constitution guarantees our right to freedom of speech and freedom of expression. This would include artistic expression. Our constitution was never intended to protect anyone from being offended. In fact, it’s opposite. It insures our freedom to debate opposing points of view.

What is and isn’t offensive is oftentimes subjective. Let’s say, for example, that I write a scene in my book where two of my characters enjoy a burger together. If a vegan reads this, he or she might be offended. A chef, however, can read the very same scene and be inspired to create a gourmet burger for two.

I’m a woman who writes romance novels. Therefore, I’ll include male characters. And even though I’ve never been a man, I write in the third person narrative. This means some of my chapters will be written from a male character’s point of view. I’m not trying to make a political statement. I’m simply trying to tell a good story. However, to the so-called, sensitivity expert, I could be stereotyping men. And because I’m allegedly stereotyping men, I’m no longer allowed to write anything from a male point of view. This tramples on my right to freely express myself as an artist

Sensitivity is the new, politically correct word for CENSORSHIP. And as a writer and and artist, censorship goes against everything I believe in. Well guess what? I’m a U.S. citizen, and I have a Constitutional right to freedom of speech and freedom of expression. Therefore, I will continue to write the stories I wish to write. And if the sensitivity thought police don’t like it then they can go straight to Hell. 

GM

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